April 21, Kabusacki and Pikachu at Hacchobori Nanahari, Tokyo
Cherry blossoms are gone!
I noticed these flowers in my morning walk to Roppongi
...and walked by this pet shop. I thought my daughter would love a pet someday....
Lunch at the legendary Tenkaippin
The venue:
This venue is unique, located in the basement of an apartment building, the owner built an acoustic sliding door and a thick sinthetic curtain to isolate sound. The sound in this venue is superb. Wood! Very cozy, good sounding and friendly venue, with remarkable pre-show and after-show music by insects and animals from the rainforest
Kabu and Pika
Pikachu is an amazing musician. We met at Osaka Bridge's FBI, an improvised music Festival that used to be organized by Uhihashi Kazuhisa where Pika played with her band Afrirampo. I was blown away by them! I love Afrirampo!
Pika played drums and piano, and she also sang:
My corner:
For a change, I used a Fender amp. Very powerful amp! We are borrowing it from Shugo, I believe.
A very enjoyable performance, full of fun, intensity and adventure. And the surprise of Pika's great piano playing!
Pika is flying tomorrow early morning from Osaka to the USA for a long and intensive tour with Mr Kawabata, of Acid Mothers Temple
Mr Iketani was in the audience, although I didn't recognize him at the moment I left the stage...he gave an inmensely valuable gift. Thanks!!!!!!!!!!!
One of my keys for being able to survive an intense tour like this is to drink a lot of water (a tip from my friend Sama) and not drink alcohol. But since tomorrow is my day off, I enjoyed a glass of delicious sake with Koki at a restaurant near the hotel.
raw horse was on offer, but I opted for other dishes...
Tuesday, June 28, 2011
Thursday, June 23, 2011
April 20th: Yokohama
Yokohama Shichoshitsu Sono 2
Kabusacki with Teruyuki Oshima, Mitsuru Nasuno, Muneomi Senju and Tatsuhisa Yamamoto
In the morning I walked around Shibuya,
Shibuya is deserted: no foreigners around, no tourists, much fewer people than usual...this made me more aware of the real situation of catastrophe and fear in Japan...I felt very sad, but I remain hopeful
Visiting a favorite shop to buy fabric for my wife and daughter...
A question asked many times... why come to Japan in this times of disaster?
Apart from discussing on the phone with Koki, phoning the Argentinean Embassy, exchange emails with friends in Japan before taking the final decision to come and not to cancel my visit, I have read very many reports about the day to day situation. The British Embassy adviced "Only Essential Travel to Japan in these days". For me, music is essential, and also in difficult times music is needed. I don't claim anything special about my musicianship or that of the musicians I was going to play with in Japan, but I am certain that our intention in music is good, genuine, I aim at being a true musician, being genuine and honest with the music I play and with my musical projects and ideas. I hope the music I play is good for people. Does good to people. So I assume I play towards good music. And good music can do good, and it's needed. Music is essential. That's why I came to japan in this difficult days. In very difficult times, music can keep people alive. Music can help spirits, it has the power to heal. It can make people happy. It can nourish souls. Also it can save lives. I am certain of this. Yes, I aim towards good music and the musicians I play with in Japan are superb. I'm very fortunate.
The venue:
The bassist's corner: Mr Mitsuru Nasuno, member of the amazing group Altered States. (I played with A.S. as guest several years ago in Osaka at a Festival by the river. I remember a guy dancing non stop in front of the stage that day. They rock!!!!!!!)
The guitarist's corner, Mr. Terushuki Oshima:
Tatsuhisa Yamamoto's drums
Senju Muneomi's corner...
My corner...
New delay pedal, a TC Electronic Flashback:
My amp: A Roland Jazz Chorus. A classic in Japan. My choice in most of the gigs here. Beast amp!
Train and taxi to the hotel. Tired but happy.
Kabusacki with Teruyuki Oshima, Mitsuru Nasuno, Muneomi Senju and Tatsuhisa Yamamoto
In the morning I walked around Shibuya,
Shibuya is deserted: no foreigners around, no tourists, much fewer people than usual...this made me more aware of the real situation of catastrophe and fear in Japan...I felt very sad, but I remain hopeful
Visiting a favorite shop to buy fabric for my wife and daughter...
A question asked many times... why come to Japan in this times of disaster?
Apart from discussing on the phone with Koki, phoning the Argentinean Embassy, exchange emails with friends in Japan before taking the final decision to come and not to cancel my visit, I have read very many reports about the day to day situation. The British Embassy adviced "Only Essential Travel to Japan in these days". For me, music is essential, and also in difficult times music is needed. I don't claim anything special about my musicianship or that of the musicians I was going to play with in Japan, but I am certain that our intention in music is good, genuine, I aim at being a true musician, being genuine and honest with the music I play and with my musical projects and ideas. I hope the music I play is good for people. Does good to people. So I assume I play towards good music. And good music can do good, and it's needed. Music is essential. That's why I came to japan in this difficult days. In very difficult times, music can keep people alive. Music can help spirits, it has the power to heal. It can make people happy. It can nourish souls. Also it can save lives. I am certain of this. Yes, I aim towards good music and the musicians I play with in Japan are superb. I'm very fortunate.
The venue:
The bassist's corner: Mr Mitsuru Nasuno, member of the amazing group Altered States. (I played with A.S. as guest several years ago in Osaka at a Festival by the river. I remember a guy dancing non stop in front of the stage that day. They rock!!!!!!!)
The guitarist's corner, Mr. Terushuki Oshima:
Tatsuhisa Yamamoto's drums
Senju Muneomi's corner...
My corner...
New delay pedal, a TC Electronic Flashback:
My amp: A Roland Jazz Chorus. A classic in Japan. My choice in most of the gigs here. Beast amp!
Train and taxi to the hotel. Tired but happy.
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